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British Board of Film Classification. Retrieved 11 September European Audiovisual Observatory. Retrieved 23 May Retrieved 24 May Le Monde in French.

Retrieved 26 May Box Office Mojo. Retrieved 16 June Archived from the original on 28 November Retrieved 23 November Retrieved 23 December The New Yorker.

The Daily Beast. Retrieved 24 December Radio France Internationale. Archived from the original on 8 June The Hollywood News.

Retrieved 13 December Retrieved 11 February The Times. Retrieved 26 December Retrieved 25 February Retrieved 24 August Sight and Sound.

Retrieved 18 February Film Comment. Retrieved 19 February Retrieved 22 February Icon Cinema. Neon Tommy. Archived from the original on 21 February Retrieved 24 February Retrieved 3 December The Upcoming.

Retrieved 17 December Daily Life. Archived from the original on 24 December Archived from the original PDF on 29 October Cahiers du Cinema. Octobre Cahiers du cinema.

Archived from the original on 1 September Retrieved 17 June The Sydney Morning Herald. Retrieved 15 February London Evening Standard.

Retrieved 17 February The Hollywood Reporter. Retrieved 8 October Archived from the original on 16 October Slant Magazine.

Retrieved 23 February The Cult Den. Archived from the original on 27 February Los Angeles Review of Books. The Huffington Post.

Daily News. New York. Retrieved 18 January Archived from the original on 29 January Retrieved 19 December Los Angeles Times.

Retrieved 27 October Retrieved 21 August The Guardian. Palace Cinemas. Newsletters Coupons. Terms Privacy Policy. Part of HuffPost Entertainment.

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No thanks. Important conversations are happening now. Add your voice! I don't mind that it was hard. I like to be tested.

Life is much harder. He's a very honest director and I love his cinema. I really like him as a director. The way he treats us?

So what! In September , Kechiche stated that the film should not be released. The film portrays Adele and Emma's relationship with an overarching sense of realism.

The camerawork, along with many of Kechiche's directorial decisions allow a true-to-life feel for the film, which in turn has led to audiences reading the film with meaning that they can derive from their own personal experiences.

Kechiche removes the barriers that separate us from them. He brings the camera so close to the faces of his actresses that he seems to be trying to make their flesh more familiar to us than his own.

Blue Is the Warmest Colour is also filled with visual symbolism. It received a standing ovation and ranked highest in critics' polls at the festival.

The film was screened at more than territories [52] and was commercially released on 9 October in France by Wild Bunch with a "12" rating.

It had a limited release at four theatres in New York City and Los Angeles on 25 October , and expanded gradually in subsequent weeks.

The distributor is struggling to reverse this situation. It took the fourth spot in its first weekend, which was seen as a "notably good showing because of its nearly three-hour length".

The film had a limited release in the U. The site's critical consensus is: "Raw, honest, powerfully acted, and deliciously intense, Blue Is the Warmest Colour offers some of modern cinema's most elegantly composed, emotionally absorbing drama.

More than 40 critics named the film as one of the ten best of He wrote: "Kechiche's film is three hours long, and the only problem with that running time is that I could have happily watched it for another seven.

Andrew Chan of the Film Critics Circle of Australia writes, "Not unlike Wong Kar-wai 's most matured effort in cinema, Happy Together , director Abdellatif Kechiche knows love and relationship well and the details he goes about everything is almost breathtaking to endure.

There is a scene in the restaurant where two meet again, after years of separation, the tears that dwell on their eyes shows precisely how much they love each other, yet there is no way they will be together again.

Blue Is the Warmest Colour is likely to be 's most powerful film and easily one of the best. At Cannes, the film shocked some critics with its long and graphic sex scenes although fake genitalia were used , [79] [38] leading them to state that the film may require some editing before it is screened in cinemas.

Jury President Steven Spielberg explained:. The film is a great love story that made all of us feel privileged to be a fly on the wall, to see this story of deep love and deep heartbreak evolve from the beginning.

The director did not put any constraints on the narrative and we were absolutely spellbound by the amazing performances of the two actresses, and especially the way the director observed his characters and just let the characters breathe.

Justin Chang , writing for Variety , said that the film contains "the most explosively graphic lesbian sex scenes in recent memory".

Writing in The Australian , David Stratton said, "If the film were just a series of sex scenes it would, of course, be problematic, but it's much, much more than that.

All of these are beautifully documented". Manohla Dargis of The New York Times described the film as "wildly undisciplined" and overlong, and wrote that it "feels far more about Mr.

Kechiche's desires than anything else". Their duration alone is exceptional, as is their emphasis on the physical struggle, the passionate and uninhibited athleticism of sex, the profound marking of the characters' souls by their sexual relationship.

The film received LGBT and feminist critical comment for the perceived dominance of the male gaze and lack of female gaze , with some reviewers calling it a "patriarchal gaze.

Julie Maroh , the author of the graphic novel upon which the film was based, said, "It appears to me this was what was missing on the set: lesbians.

In a blog post, they called the scenes, "a brutal and surgical display, exuberant and cold, of so-called lesbian sex, which turned into porn, and made me feel very ill at ease", saying that in the movie theatre, "the hetero-normative laughed because they don't understand it and find the scene ridiculous.

The gay and queer people laughed because it's not convincing, and found it ridiculous. And among the only people we didn't hear giggling were the potential guys too busy feasting their eyes on an incarnation of their fantasies on screen".

They added that "as a feminist and lesbian spectator, I cannot endorse the direction Kechiche took on these matters.

But I'm also looking forward to hearing what other women will think about it. This is simply my personal stance. From Wikipedia, the free encyclopedia.

Theatrical release poster. Artificial Eye. British Board of Film Classification. Retrieved 11 September European Audiovisual Observatory.

Retrieved 23 May Retrieved 24 May Le Monde in French. Retrieved 26 May Box Office Mojo. Retrieved 16 June Archived from the original on 28 November Retrieved 23 November Retrieved 23 December The New Yorker.

The Daily Beast. Retrieved 24 December Radio France Internationale. Archived from the original on 8 June The Hollywood News. Retrieved 13 December Retrieved 11 February The Times.

Lea Seydoux Blue Is The Warmest Color Gif Video

DP/30 @ TIFF '13: Léa Seydoux \u0026 Adèle Exarchopoulos in Blue Is The Warmest Color

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